The Girl with a Ponytail (Picasso, 1954)

27 03 2013

(published in Cheval 4)

Image

 

Subtle, for him. Understated. Flattering even.

That first painting was angled with beauty enough

to lure me. Postman blue, pond green. Shy lips

and one eye, wide enough for two.

 

He sketched me furiously in June. Always

demanding my hair tumbled. Winding my fringe

between oily fingertips, breathing wine,

gesturing bottle after glass.

 

Every portrait a picture of a sculpture,

a Greek bust in Gallic July dress.

 

The signature brought the world to Vallauris

and each time I smiled at the cameras,

dimpled when he shared the lens. He painted

in the evening only now. His colours

darkened and he insisted my collar

inched lower to reveal secrets I would not tell.

 

In the last nights he sat me on his knees

I confessed he had become my second father.

He was sullen in August and relinquished

with the final composition, without goodbye.

 

The final painting revealed only my naivete: 

my ponytail a noose for an old man to risk

his reputation, my breasts a rectangle of

rheumatic grey. My webbed ringlets, a duplicitous stare

and my fingers knotted in his frustration.

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